​Sarn Oliver, a multifaceted artist with deep roots in both music and visual art, has spent a lifetime weaving together these disciplines into a singular artistic expression. Born into a family steeped in music, with a composer father and a pianist mother, Sarn's early exposure to the world of sound profoundly shaped his artistic journey. His extensive background as a violinist, composer, and luthier has always been intertwined with a passion for visual arts, leading to the creation of his unique "singing paintings."

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The concept of "singing paintings" emerged from Sarn's desire to explore the intersection of sound and sight, where his visual works are not just to be seen, but also to be heard. Each painting is paired with an original composition, creating a multisensory experience that reflects the emotional and structural depth of his artistic vision. The colors, forms, and textures of his paintings echo the melodies, harmonies, and rhythms of his compositions, making the two inseparable.

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This innovative fusion can be seen as a continuation of the themes present in Sarn's musical compositions, such as his Violin Concerto, where he navigates the profound emotions of loss, memory, and joy. Just as his concerto blends different movements and moods into a cohesive narrative, his "singing paintings" bring together the auditory and visual realms, creating a dialogue between the two.

Sarn's artistic practice is a reflection of his life's journey—a synthesis of his experiences, emotions, and the various art forms that have shaped him. His "singing paintings" are not merely an extension of his musical compositions, but a new frontier where art and music coalesce to evoke deeper emotional responses and offer a more immersive experience to the viewer and listener. Through this work, Sarn invites his audience to engage with his art on multiple levels, experiencing the resonance between the seen and the heard in a harmonious and profound way.

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Click here to see bio written by Franklin Davis